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Set on one single day in August 1912 at the family’s Connecticut seaside home, the story follows the Tyrone family as it faces the looming dual spectres of Edmund’s potentially fatal consumption diagnosis alongside his mother Mary’s increasingly fragile and anxious state of mind.
An elderly, arthritic former violinist named Marjorie, stares headlong into the decline of old age as her memories begin to fail her. Availing herself of a service that provides holographic recreations of deceased loved ones as their survivors would like them remembered, Marjorie spends her time with her daughter and son-in-law, and with an imperfect copy of her deceased husband, Walter, as he looked in his 30s and 40s.
Siblings discover the wreckage of a single-engine plane crash years after the accident has occurred. Three sets of siblings each interacts with the downed aircraft over time, from the crash to the discovery to an artist's installation based on the event.
A screenwriter Adam (Scott) has a chance encounter with his mysterious neighbor Harry (Mescal) that punctures the rhythm of his everyday life. As Adam and Harry get closer, Adam is pulled back to his childhood home where he discovers that his long-dead parents (Foy and Bell) are both living and look the same age as the day they died over 30 years ago.
Set during WWII, the love affair between his mother, a Macedonian woman, and a German officer is seen through the eyes of an 8-year-old boy. Thanks to her affair, her family is never short of food, but when the partisan army liberates the city, her lover is immediately executed.
In the late 1960s, three teenage sisters from rural New Hampshire form a band at the insistence of their overbearing father, who is convinced their talent will make them stars. The trio polarizes critics. They are dubbed visionary by some, while others called them the worst band in rock history, whose sound is reminiscent of cats being strangled.