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In this stage play filmed live, journalist Edward R. Murrow confronts Sen. Joseph McCarthy over the fear and propaganda shaping US politics in the 1950s.

The true crime genre’s ubiquity is driven by people’s endless fascination, disgust, and — bizarrely — search for comfort in genre conventions that still have the ability to generate complex emotions despite their predictability and familiarity.

Homegrown is an unflinching chronicle of Americans at war with each other. Three conservative activists—a newly politicized father-to-be in New Jersey, an Air Force veteran organizing conservatives in New York City, and a charismatic activist from Texas—crisscross the country in the summer of 2020, campaigning for Donald Trump and building a movement they hope will outlast him. When they become convinced that the election is stolen, they take their fight to the streets.

Frustrated with babysitting on yet another weekend night, Sarah (Jennifer Connelly), a teenager with an active imagination, summons the Goblins to take her baby stepbrother away. When little Toby actually disappears, Sarah must follow him into a fantastical world to rescue him from the Goblin King (David Bowie). Guarding his castle is the labyrinth itself, a twisted maze of deception, populated with outrageous characters and unknown dangers. To get through it in time to save Toby, Sarah befriends the Goblins, in hopes that their loyalty isn’t just another illusion in a place where nothing is as it seems.

A recently discovered conversation between photographer Peter Hujar and his friend Linda Rosenkrantz in 1974 reveals a glimpse into New York City’s downtown art scene and the personal struggles and epiphanies that define an artist’s life.

A homeless man carries out a home invasion against a wealthy individual.

Colombia, May 1960, just after Israel's abduction of Adolf Eichmann in Argentina. Polsky (David Hayman), a lonely and grumpy Holocaust survivor, lives in the remote Colombian countryside. He spends his days playing chess and tending his beloved rose bushes. One day, when a mysterious old German man (played by Udo Kier) moves in next-door, he suspects that his new neighbor is... Adolf Hitler. Since nobody believes him, he embarks on a detective mission to find the evidence. But, in order to gather evidence, he will need to be closer to his neighbor than he would like. So close that the two could almost become friends.

West Bank, 1988: When young Noor is seriously injured during a protest, his mother Hanan begins to tell her family’s moving story. The narrative takes us back to 1948, when Noor's grandfather Sharif refuses to leave Jaffa to protect his house and orange grove. But war, displacement, and imprisonment tear the family apart. Sharif’s son Salim grows up in the shadow of his homeland, which he never truly knew. When Noor protests against Israeli soldiers decades later, fate seems to repeat itself. But in the midst of the crisis, Hanan and Salim make a courageous decision that gives the family new hope—and promises a path to reconciliation.

In pre-internet 1987, Conor and his dog Sandy live a life of seclusion, lost in the slow-rendering graphics of early Macs and televisions aglow with late night horror movie marathons. But when he begins playing OBEX, a new and mysterious, state-of-the-art computer game, he finds himself trapped in a low-tech, but high-stakes analog hellscape as the line between reality and game blurs.

In a shelter in Liège, Belgium, a group of young women face the challenges and exhilaration of motherhood. Looking ahead to an uncertain future, the underage mothers aspire to break free of the past and not repeat the cycles of neglect, abuse, and abandonment that have defined their young lives. Jessica grew up in a foster family, and must understand why her biological mother could not keep her. Perla wrestles with the unreliability of her boyfriend, and confronts the possibility that she may need to raise her child alone. Julie has a more stable partner, but cannot imagine parenthood until she overcomes her drug habit once and for all. And Ariane must protect her baby at all costs, with the daunting recognition that her home may not be safe for her daughter.