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Everything Is Going to Be Great is a story about dreamers facing challenges, exploring themes of individuality, family, and the contrast between fantasy and reality. The Smart family, through relocations and involvement in regional theater, cope with loss and grapple with their identities.
Follows Ellie Klug (Collette), an unconventional rock journalist who dates musicians. She is given the important assignment of exploring her own past by her magazine's editor (Platt). Joined by eccentric would-be documentarian Charlie (Church), Ellie sets out on an emotional treasure hunt in order to finally rid herself of her ghosts and get on with life.
Two people are on the job to deliver a human heart from New York to Florida in 24 hours. When they realize that their delivery is destined for a black-market buyer, they attempt to reroute the heart to its rightful recipient, but are soon hunted down by criminals.
Two American women's paths cross in a fictional Central American country on the verge of revolution. One is married into one of the families that dominate politics in Boca Grande; the other has seen her marriage fall apart and her daughter run off with a group of Marxist radicals.
James Crocker: young, dashing and American is having a jolly time in London, drinking, partying with unsuitable ladies and starting bar room brawls, earning him the tabloid nickname "Piccadilly Jim". That is, until his fearsome Aunt Nesta appears from New York, determined to drag him home, teach him some manners and get him a proper job. Jim has no intention of leaving until he claps eyes on Anne, Nesta's step-niece, and he is on the way to New York quicker than you can say "double martini please barman". Anne has never met Jim in the flesh, though knows about his fearful reputation, so Jim pretends to be Algernon Bayliss, teetotaller and upright member of society; until he can convince Anne to fall in love with the real Jim. But with temptation at every step, as well as his Aunt Nesta on his heels, this will be Piccadilly Jim's finest hour or his final undoing.
In 1998, Ray Michaels is on top of the world — a witty, sexy, Englishman in Hollywood who has just won an Academy Award for Best Screenplay. Fifteen years later, he’s creatively washed up, divorced, and broke. With no other options, he takes a job teaching screenwriting at a small college on the East Coast. Although the idea of teaching is less than thrilling, he hopes to make some easy money and enjoy the favors of impressionable young co-eds. What he doesn’t expect to find is romance with a single mom who’s gone back to school.