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Centers on a young couple given a second chance to relive and change the events of a day when one of them dies.
Barry Pepper stars as suave psychopath Tom Ripley, now at the forefront of a forgery ring that produces art attributed to a dead painter who the world believes is still alive. When an aficionado (Willem Dafoe) discovers some of the forgeries and threatens to expose the ring, Ripley stages a news conference disguised as the dead painter to prove that the art is real. The man is still unconvinced, so Ripley invites him to his estate and murders him. Things take a complicated turn for Ripley when the police—led by a detective named Webster (Tom Wilkinson)—come to him, thinking he's the painter, in the search for the missing man.
James Crocker: young, dashing and American is having a jolly time in London, drinking, partying with unsuitable ladies and starting bar room brawls, earning him the tabloid nickname "Piccadilly Jim". That is, until his fearsome Aunt Nesta appears from New York, determined to drag him home, teach him some manners and get him a proper job. Jim has no intention of leaving until he claps eyes on Anne, Nesta's step-niece, and he is on the way to New York quicker than you can say "double martini please barman". Anne has never met Jim in the flesh, though knows about his fearful reputation, so Jim pretends to be Algernon Bayliss, teetotaller and upright member of society; until he can convince Anne to fall in love with the real Jim. But with temptation at every step, as well as his Aunt Nesta on his heels, this will be Piccadilly Jim's finest hour or his final undoing.
The comedy follows a Dallas power broker, whose life is falling apart, on a penniless night with his daughter's punk rocker boyfriend.