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A young boy finds a mystical toymaker with stories to tell. The first is of a leprechaun seeking revenge on a defenseless family. The second is of a doll who works evil on her fragile owner. The toymaker gives the boy a clown named Giggles. Clowns are supposed to be the guardians of happiness, right?

An anonymous user posting his prediction videos goes viral when they begin sharing the outcome of the country’s future and popular world events, and end up being right. However, things take a turn when the masked user must get the help from the detective that's hunting him down to save the future of mankind before it’s too late.

Filmmaker Astra Taylor accompanies some of today's most influential thinkers on a series of unique excursions through places and spaces that hold particular resonance for them and their ideas.

Insurance claims investigator Max (Nikolaj Coster-Waldau) follows the clues of a mysterious death to the remote Hotel Aurora, a unique and secretive facility that specializes in assisted suicide. His investigation uncovers disturbing revelations from which Max may not be able to escape and that force him to question the very nature of life and death.

Father Lankester Merrin thinks that he has glimpsed the face of Evil. In the years following World War II, Merrin is relentlessly haunted by memories of the unspeakable brutality perpetrated against the innocent people of his parish. In the wake of all he has seen, both his faith in his fellow man and his faith in the Almighty have deserted him. He can no longer honestly call himself a man of God. Merrin has traveled far from his native Holland in a desperate attempt to escape the horrors that he witnessed there. While drifting through Cairo, he is approached by a collector of rare antiquities to join a British archeological excavation in the remote Turkana region of Kenya. They have unearthed a Christian Byzantine church in inexplicably pristine condition—as if it had been buried on the day it was completed. The collector wants Merrin, an Oxford-educated archeologist, to find an ancient relic hidden within the church before the British discover it. But beneath the church, something much older sleeps, waiting to be awoken. Madness descends upon the local villagers and the contingent of British soldiers who've been sent to guard the excavation. Merrin watches helplessly as the atrocities of war are repeated against another innocent village—atrocities he had prayed never to see again. The blood of innocents flows freely on the East African plain, and the horror has only just begun. In the place where Evil was born, Merrin will finally see its true face.

Yale University, 1961. Stanley Milgram (Peter Sarsgaard) designs a psychology experiment that still resonates to this day, in which people think they’re delivering painful electric shocks to an affable stranger (Jim Gaffigan) strapped into a chair in another room. Despite his pleads for mercy, the majority of subjects don’t stop the experiment, administering what they think is a near-fatal electric shock, simply because they’ve been told to do so. With Nazi Adolf Eichmann’s trial airing in living rooms across America, Milgram strikes a nerve in popular culture and the scientific community with his exploration into people’s tendency to comply with authority. Celebrated in some circles, he is also accused of being a deceptive, manipulative monster, but his wife Sasha (Winona Ryder) stands by him through it all.