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The year is 1795 and young Jane Austen is a feisty 20-year-old and emerging writerwho already sees a world beyond class and commerce, beyond pride and prejudice, and dreams of doing what was then nearly unthinkable--marrying for love. Naturally, her parents are searching for a wealthy, well-appointed husband to assure their daughter''s future social standing. They are eyeing Mr. Wisley, nephew to the very formidable, not to mention very rich, local aristocrat Lady Gresham, as a prospective match. But when Jane meets the roguish and decidedly non-aristocratic Tom Lefroy, sparks soon fly along with the sharp repartee. His intellect and arrogance raise her ire--then knock her head over heels. Now, the couple, whose flirtation flies in the face of the sense and sensibility of the age, is faced with a terrible dilemma. If they attempt to marry, they will risk everything that matters--family, friends and fortune.
It all begins as successful Scottish playwright J.M. Barrie watches his latest play open to a ho-hum reaction among the polite society of Edwardian England. A literary genius of his times but bored by the same old themes, Barrie is clearly in need of some serious inspiration. Unexpectedly, he finds it one day during his daily walk with his St. Bernard Porthos in London's Kensington Gardens. There, Barrie encounters the Llewelyn Davies family: four fatherless boys and their beautiful, recently widowed mother. Despite the disapproval of the boys' steely grandmother Emma du Maurier and the resentment of his own wife, Barrie befriends the family, engaging the boys in tricks, disguises, games and sheer mischief, creating play-worlds of castles and kings, cowboys and Indians, pirates and castaways. He transforms hillsides into galleon ships, sticks into mighty swords, kites into enchanted fairies and the Llewelyn Davies boys into "The Lost Boys of Neverland." From the sheer thrills and adventurousness of childhood will come Barrie's most daring and renowned masterwork, "Peter Pan." At first, his theatrical company is skeptical. While his loyal producer Charles Frohman worries he'll lose his shirt on this children's fantasy, Barrie begins rehearsals only to shock his actors with such unprecedented requests as asking them to fly across the stage, talk to fairies made out of light and don dog and crocodile costumes. Then, just as Barrie is ready to introduce the world to "Peter Pan," a tragic twist of fate will make the writer and those he loves most understand just what it means to really believe.
Ella (Anne Hathaway of "The Princess Diariess" fame) lives in a fanciful and magical world where all children are given a "gift" from a fairy Godmother at the moment of their birth. Little Ella's birthright is the gift - and curse - of obedience. As a result of this unfortunate circumstance, Ella cannot refuse any command, and is often left at the mercy of unscrupulous personalities. In a bid to regain control of her life, Ella goes on a quest to free herself from this mysterious curse. Ella must outwit a kingdom filled with ogres, giants, wicked stepsisters, talking books and evil plots. And, if she's lucky, she may find love along the way.
Shaolin was an art practiced through the ages; a skill mastered in the heart. In "Shaolin Soccer", it is so much more than a philosophy for six young believers. It is a complete way of life. But as the world changed around them, and Honor and Discipline become forgotten virtues, they lose their way - except for one loyal follower, Sing (Stephen Chow). With the help of a former soccer star, he reunites his old, out of shape, misfit friends, and recruits a young woman with extraordinary Kung Fu skills. Together, they're out to combine the ancient power of Shaolin with the modern game of soccer and in the process, just might take the world's most popular sport to its most extreme.