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Set somewhere, sometime, in an unnamed country, torn by civil war with unclear battle lines or ideology, "Masked and Anonymous" tells the story of a "benefit concert." Impressario Uncle Sweetheart (John Goodman) is scheming to find a headliner for this event whose purpose is unclear and whose charity is its promoter's pockets. Nina Veronica (Jessica Lange) is the veteran TV producer whose job it is to make the concert the international spectacle which it can never be. And when Sweetheart manages to get the iconic cult star Jack Fate (Bob Dylan) released from prison, the stage is set for tumult. Jeff Bridges as the cynical investigative reporter, Penélope Cruz as his girlfriend, Luke Wilson as the devoted acolyte, and a sundry cast of supporting characters give this imaginative allegory its energy and spirit.
This is the story of how a washed-up 1980s pop star (Craig Ferguson) gets a chance at a new direction in his life when he discovers that he has a teenage daughter, Olivia (Charlotte Church), in Cardiff, Wales (her real-life hometown) as the result of a weekend affair he had back at the height of his fame, especially when she decides she wants to follow him with a musical career of her own, against the wishes of her mother (Jemma Redgrave).
This is the story of a 19-year-old girl (Amanda Bynes) who has been raised in New York City by her mother (Kelly Preston), a professional singer, who decides that she wants to find her long-lost British father (Colin Firth) in London, who's part of a very hoity-toity British aristocratic social circle. Once she gets there, however, it doesn't take long before her hip American lifestyle disrupts his entire life. Can she find a balance in the relationship between her two parents, find her own piece of mind, and along the way, possibly fall in love as well? Perhaps most importantly, does she have a chance at being the Debutante of the Year?
The fairytale rise to superstardom of America's favorite "Idols" continues as Kelly Clarkson and Justin Guarini make the leap to the big screen in this summer's biggest beach party.
This is the story of Honey (Jessica Alba), a tough sexy dancer from the inner city, who becomes a successful music video choreographer, a career which is threatened when her mentor makes him either sleep with him... or get blacklisted within the industry. She ultimately decides to pursue her lifelong dream of opening her own dance studio for inner-city youths.
This documentary examines the careers of the 1950s-1970s Stax Records and Motown soul and R&B singers who "kept on keeping on" right through (and after) the disco scene into today, through the use of interviews with and performance footage by such Motown luminaries as Isaac Hayes, the Chi-Lites, Sam Moore (of Sam and Dave), Mary Wilson (of the Supremes) and others. The focus of the film is how these performers managed to keep thriving through the 30 years of change in the music industry since the heydays of classic R&B.
"Prey for Rock & Roll" is the adrenaline-filled story of a contemporary LA all-girl punk band led by singer/guitarist Jacki (Gina Gershon), bassist Tracy (Drea De Matteo), lead guitarist Faith (Lori Petty), and drummer Sally (Shelly Cole). The directing debut of esteemed music supervisor/producer Alex Steyermark, the film captures the color and energy of a veteran band struggling to make it while personal obstacles and disturbing new events threaten to tear them apart.
When slick-talking New York City advertising executive Darrin Fox travels back to his small hometown in Georgia to claim the inheritance his aunt Sally left him, he finds he must fulfill her last wish before he can collect -- create a gospel choir and lead it to success. But with a town full of tin ears and a shortage of singers, Darrin is about ready to give up and head back to the city where he belongs…until he runs into Lilly. A beautiful nightclub singer with a voice that could rock the competition at the annual Gospel Explosion, Lilly is just the miracle Darrin is looking for... if he can persuade her to sing.
Formed in the 1960's, the Folksmen (Guest, McKean, Shearer) were a key group in the "Great Folk Music Scare", meeting as freshmen at Ohio Wesleyan College, and touring for 26 months as a folk trio, singing a unique type of "eclectified folk" music. It wasn't meant to last, however, and the three musicians went their separate ways. Now, thirty years later, they've reunited for a comeback tour of sorts, as long as the folk festivals they're playing at are within a day's travel of their homes, all of which leads up to a climactic memorial concert at Carnegie Hall following the death of a legendary folk music promoter, where they reunite with two other folk groups. In the tradition of This is Spinal Tap (an aging heavy metal band), Waiting for Guffman (a small town theater group), and Best in Show (the Westminster Dog Show), this is a mocking look at the world of folk music.
This homage to the golden era of 1950s Technicolor musicals tells the story of a cabaret singer, Billie Golden (Isabel Rose), living with her mother in Queens who aspires to get out of the "airport circuit" (she sings at a dingy lounge at JFK Airport). Meanwhile, Billie is also trying to choose between two men who represent different paths her life could take next: a corporate attorney (Cameron Bancroft) she knew in high school, who could provide her with money and security; or her piano teacher (Andrew McCarthy) who doesn't have much money but understands her passion for music. In addition to the songs Billie performs on stage, there are also occasional musical numbers that represent Billie's daydream fantasies.
"Garage Days" is a coming-of-age comedy about a young Sydney band trying to get a foothold in the competitive world of rock n' roll. After the band's first gig is a colossal failure, the lead singer takes it upon himself to go out and pursue the most successful Rock Manager in the country. Meanwhile the other members of the band continue to deal with the kind of every day life issues that can ultimately tear a band apart. It may be the dawn of a new millennium but it's STILL a long way to the top if you want to rock n' roll.
Nola (Emmy Rossum), an aspiring songwriter who grew up in a trailer park, abused by her stepfather, travels to New York City in hopes of both starting her career and finding, and establishing a relationship with, her biological father. Along the way, she gets a job at a coffee shop owned by a high-class madam, Margaret (Mary McDonnell), and finds herself involved with a court case against one of Dorothy's powerful clients.
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"Piglet's Big Movie" brings "the little pink guy" to center stage for a story of friendship and appreciation as the gang from the Hundred Acre Wood learns that it doesn't take somebody big to do big things. Piglet gets that inferior feeling when his friends begin a "honey harvest" and he is told that he's too small to help. When Piglet disappears, his pals Eeyore, Rabbit, Tigger, Kanga, Roo, and (of course) Winnie-the-Pooh use his scrapbook as a map to find him - and in the process discover that this "Very Small Animal" has been a big hero in a lot of ways. After an eventful search and a dramatic climax, Piglet once again demonstrates how large an influence he has been on his pals.
Hell-raising guitarist with delusions of grandeur Dewey Finn (Jack Black) has been kicked out of his band. Desperate for work, he impersonates a substitute teacher and turns a class of fifth grade high-achievers into high-voltage rock and rollers ready to compete in a local radio station's Battle of the Bands contest.
A documentary about the pivotal hip-hop artist Tupac Shakur that is narrated entirely in the words of the deceased artist himself. Through a variety of interviews, journal readings, poetry performances, private home movies, and never-before-seen concert footage, the film serves as a "self-portrait" of a cultural icon whose career and persona, both, continue to grow from beyond the grave.