Filters Showing 5 releases
The Good House follows Hildy Good (Sigourney Weaver), a wry New England realtor and descendant of the Salem witches, who loves her wine and her secrets. Her compartmentalized life begins to unravel as she rekindles a romance with her old high-school flame, Frank Getchell (Kevin Kline), and becomes dangerously entwined in one person’s reckless behavior. Igniting long-buried emotions and family secrets, Hildy is propelled toward a reckoning with the one person she’s been avoiding for decades: herself.
- 4.38 / 5.0
Follows two men with commitment problems attempting a relationship.
- 3.29 / 5.0
"It is a rare and miraculous thing to find your one true soul mate.” Carey soon learns that finding two of them can pose an even greater problem. Equal parts humor and heartbreak, “The Swearing Jar” tells two love stories at once, exploring the challenges of marriage, parenting, loss, and moving on.
- 5 / 5.0
In Hatching, 12-year-old gymnast, Tinja (Siiri Solalinna), is desperate to please her image-obsessed mother, whose popular blog ‘Lovely Everyday Life’ presents their family’s idyllic existence as manicured suburban perfection. One day, after finding a wounded bird in the woods, Tinja brings its strange egg home, nestles it in her bed, and nurtures it until it hatches. The creature that emerges becomes her closest friend and a living nightmare, plunging Tinja beneath the impeccable veneer into a twisted reality that her mother refuses to see.
- 3 / 5.0
Vicky Krieps (Phantom Thread, Bergman Island) gives another riveting performance as Camille, a woman on the run from her family for reasons that aren’t immediately clear. Widely renowned as an actor but less well-known here for his equally impressive work behind the camera, Mathieu Amalric’s sixth feature directorial outing—his most ambitious to date—is a virtuosic, daringly fluid portrait of one woman’s fractured psyche. Alternating between Camille’s adventures on the road and her abandoned husband Marc (Arieh Worthalter) as he struggles to take care of their children at home, Amalric’s film keeps viewers uncertain as to the reality of what they’re seeing until the final moments of this richly rewarding, moving, and unpredictable portrait of grief.
- 5 / 5.0